Showing posts with label library tears. Show all posts
Showing posts with label library tears. Show all posts

Friday, February 21, 2014

i thought you were singing to me.


i have been meaning to post this forever. sorry it has taken me so long paul. if you guise are fans at all of classroom projects by trunk, then this will be right up yr alley. download both parts, the file was too large & kept on stalling in zippyshare so i had to break it up. trust me, you want the entirety of this record!

PT.I   //    PT.II

Saturday, February 8, 2014

listen to me on dandelion radio!


http://www2.zippyshare.com/v/21126899/file.html

a couple of things boss.

1) ron geesin's electrosound is a fantastic library voyage through musique concrète cues. dip yr toes in.

2) the inimitable, phenomenal & all around dream boat mark whitby over at unwashed territories is also a dj at dandelion radio. he is playing side a from my newest tape, which you can stream here www.dandelionradio.com . i'm pretty sure his show plays a few times a week, go there & support good dudes playing independent music! you can download my latest here. thanks!

ps recently saw a documentary on jobriath. what a sad fucked up story. if you haven't heard this genius' work before, do yrself the favor & get hip to his shit. yr life will be better for it.

Saturday, June 15, 2013

sun ship.


This is one of those albums that encapsulates the very raison d'etre of a reissue label like Finders Keepers, or Trunk for that matter. John Hill's Six Moons Of Jupiter is a dizzying cocktail of avant-garde jazz, cosmic psychedelia and electronic experimentation, intermittently augmented by the poetry of Susan Christie who recites text over parts of certain tracks. There are drum-fuelled beat tracks like 'Io' or the David Axelod-like 'Amalthea', and then there's some woozy, electroacoustic soundscaping on the hazy, effects-laden 'Ganymede', all of which are ideal fodder for library hounds, but 'Callisto' and 'Elara' mark the real creative peaks here, eschewing the kind of exotica-appeal that tends to taint reissues with a hint of kitsch. The latter of these compositions draws a certain amount of influence from Messaien's Turangalila Symphonie in its ambitious, often erratic harmonies and its mingling of conventional and electronic instrumentation. The album is capped off with an alternate, instrumental rendition of 'Europa', which it has to be said, benefits from the absence of Christie's reading - which itself is isolated as a final piece on the album, 'I Am The Storm Of Dawn'. This amazing concept album will undoubtedly appeal greatly to anyone who fell under the spell of Jean-Claude Vannier's L'Enfant Assassin Des Mouches and generally to followers of weird and wondeful musics from the archicives. Wonderful stuff - Essential Purchase. - boomkat (sorry, i have to leave for work so i have to use their description)

amazing avant future library cosmic jazz. this is a mind warper.

Friday, May 10, 2013

song of the plasticator.

some bleepy bloopy kosmische library jams from parry in the late seventies to mid eighties. one of my favorite things ever. i swear i heard these cues growing up as a kid in the eighties, anyway, just get this. mind blowingly good!

Tuesday, May 7, 2013

oslo skyline.


so a break from mali blues into the more experimental end of things. all of these grm reissues have been amazing, but this is one of my favorites. experimental, but not quite musique concrète, this ranks up there with parmegiani & malec as favorite things to be put out again. it's in the moments of hushed silence that i find the most beauty.

Saturday, November 10, 2012

cool senior high school.






**A super rare vinyl outing for one of the 20th century's most revered electro-acoustic composers, housed in debossed jacket designed by Stephen O'Malley and cut to vinyl by Rashad Becker at Dubplates & Mastering** Editions Mego's unarchiving of the unparalleled INA GRM catalogue reaches a momentous double header by Bernard Parmegiani - one of the 20th century's most revered and important electro-acoustic composers. Born 1927, Parmegiani started as a sound engineer for French TV in the early '50s, establishing a connection between sound and vision which he would explore to the deepest degrees after joining Pierre Schaeffer's Groupe de recherches musicales in 1959 for a two year masterclass. With his first works composed in 1962 and released in 1969, he essentially headed up the 2nd wave of sonic pioneers, following the foundational musique concrète of Pierre Schaeffer and Pierre Henry into a brave new world of electro-acoustic (or acousmatic) sound. Here we find two of his seminal works, pieces of ultra-vivid, immersive, visceral and shocking sound organisation marking the generational distinctions between his tutor's creations, and those of the next generation, now ready to inform future musical explorers. We've lived with Parmegiani's incredible 'L'Œuvre Musicale' CD box set for a few years now and it has offered us something new every single time - it's a real treat to finally have some of this work on vinyl, making this one of the most crucial of all of the concréte reissues of recent years. Simply put - it's a must-have. - boomkat

how could i tease y'all talking about this & hoarding it to myself & a few close comrades. so here you go. it's going to melt some fucking minds fershure brahs. & i'm going to go back now to hanging out with my cat & listening to my prurient cassette & smoking weed. have a good night.